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*1001 $aGann, Kyle$d1955-$_26045900
*24510$aMusic downtown$bwritings from The Village voice$cKyle Gann
*260  $aBerkeley, Calif.$bUniversity of California Press$c2006
*300  $aXIX, 314 s.$bill.
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*5058 $aIndhold: Interviews ; Music and/versus society ; Musical politics ; Aesthetics ; Reflections on books, figures, and events ; Concert reviews ; Passings
*5208 $aThis collection represents the cream of the more than five hundred articles written for the Village Voice by Kyle Gann, a leading authority on experimental American music of the late twentieth century. Charged with exploring every facet of cutting-edge music coming out of New York City in the 1980s and '90s, Gann writes about a wide array of timely issues that few critics have addressed, including computer music, multiculturalism and its thorny relation to music, music for the AIDS crisis, the brand-new art of electronic sampling and its legal implications, symphonies for electric guitars, operas based on talk shows, the death of twelve-tone music, and the various streams of music that flowed forth from minimalism. In these articles--including interviews with Yoko Ono, Philip Glass, Glenn Branca, and other leading musical figures--Gann paints a portrait of a bristling era in music history and defines the scruffy, vernacular field of Downtown music from which so much of the most fertile recent American music has come [Publisher description]
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