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*511  $aKrautrock is not a music genre. Krautrock is a way of life. Its sonic diversity and global reach belie the common culture from where it emerged. This is a band-by-band history.  In May 1945, the Allies defeated Nazi Germany, putting an end to the European front of World War II and the Third Reich. During this time, German youth were tasked to create their own culture. Krautrock is this unlikely success story, as hundreds of bands―including Kraftwerk and Can―seemed to sprout overnight in the early 1970s, forging a sound that was totally at odds with progressive rock that was becoming increasingly popular in neighbouring countries such as Britain and Italy. The major innovation of Krautrock is not only its motorik beat, the steady click-click of Can’s Jaki Liebezeit or monolithic stomp-stomp of Neu!’s Klaus Dinger. It's also how the musicians relate to each other: no musician is given more focus than any other, and listening to these bands is to witness interplay common in jazz music. Krautrock represents German politics reflected in music: a dictatorship replaced by democracy.  Krautrock explores the history and methodology of the genre, charting its influences and innovations, its more mainstream acts (like Faust, Kraftwerk, and Can) as well as the less universally known (including Harmonia, Popol Vuh, Embryo, and Ash Ra Tempel), and how the genre developed in post-war Germany and what it means to today's listeners.
*520 #$aKrautrock is not a music genre. Krautrock is a way of life. Its sonic diversity and global reach belie the common culture from where it emerged. This is a band-by-band history.  In May 1945, the Allies defeated Nazi Germany, putting an end to the European front of World War II and the Third Reich. During this time, German youth were tasked to create their own culture. Krautrock is this unlikely success story, as hundreds of bands―including Kraftwerk and Can―seemed to sprout overnight in the early 1970s, forging a sound that was totally at odds with progressive rock that was becoming increasingly popular in neighbouring countries such as Britain and Italy. The major innovation of Krautrock is not only its motorik beat, the steady click-click of Can’s Jaki Liebezeit or monolithic stomp-stomp of Neu!’s Klaus Dinger. It's also how the musicians relate to each other: no musician is given more focus than any other, and listening to these bands is to witness interplay common in jazz music. Krautrock represents German politics reflected in music: a dictatorship replaced by democracy.  Krautrock explores the history and methodology of the genre, charting its influences and innovations, its more mainstream acts (like Faust, Kraftwerk, and Can) as well as the less universally known (including Harmonia, Popol Vuh, Embryo, and Ash Ra Tempel), and how the genre developed in post-war Germany and what it means to today's listeners.
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