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*08204$a709.1767$223$qNO-OsBAS
*090  $c709.1767$dISL
*24500$aIslamic art$bpast, present, future$cJonathan Bloom, Sheila Blair
*260  $aNew Haven$bYale University Press$c2019
*300  $a344 sider$billustrasjoner$c29 cm
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*5208 $aIn a world where the making and consumption of art is constantly changing, the term Islamic art can be hard to define. Through the exploration of a wide array of media-from painting, sculpture, and photography to video and multimedia-an internationally renowned group of scholars, collectors, artists, and curators tackles questions such as whether the art has to come from the Middle East, whether it must have a religious component, and, indeed, whether the work of art must be made by a Muslim. Based on a series of papers presented at the 7th Biennial Hamad bin Khalifa Symposium on Islamic Art in 2017, the essays in this volume grapple with these questions from a range of viewpoints. These texts-including beautiful illustrations of major works by contemporary artists from the Muslim world, including Newsha Tavakolian, Shahzia Sikander, Hassan Hajjaj and Lalla Essaydi-invoke a lively discussion of how the arts of the Islamic lands link the past with the present and the future.
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*65007$aKunsthistorie$9nob$2Bokbasen AS$_31411000
*651 7$aMidtøsten$9nob$2Bokbasen AS$_31303900
*7001 $aBlair, Sheila$eredaktør$4edt$_31748200
*7001 $aBloom, Jonathan$eredaktør$4edt$_31748300
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