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*019  $bl
*020  $a9780226036281$qh.$c153 kr
*035  $a(NO-LaBS)11250194(bibid)
*0820 $a701.85$223/nor
*08204$qNO-OsNB$a701/.85$221
*090  $c701.8$dBAL
*1001 $aBall, Philip$d1962-$_26180500
*24510$aBright earth$bart and the invention of color$cPhilip Ball forf.
*250  $a1st American ed.
*260  $aNew York$bFarrar, Straus and Giroux$c2002 [2001]
*300  $aix, 382 s.$bill., [noen kol.]
*336  $atekst$0http://rdaregistry.info/termList/RDAContentType/1020$2rdaco
*337  $auformidlet$0http://rdaregistry.info/termList/RDAMediaType/1007$2rdamt
*338  $abind$0http://rdaregistry.info/termList/RDACarrierType/1049$2rdact
*500  $g1.$tThe eye of the beholder : the scientist in the studio$g2.$tPlucking the rainbow : the physics and chemistry of color$g3.$tThe forge of Vulcan : color technology in antiquity$g4.$tSecret recipes : alchemy's artistic legacy$g5.$tMasters of light and shadow : the glory of the Renaissance$g6.$tOld gold : the revival of an austere palette$g7.$tThe prismatic metals : synthetic pigments and the dawn of color chemistry$g8.$tThe reign of light : Impressionism's bright impact$g9.$tA passion for purple : dyes and the industrialization of color$g10.$tShades of midnight : the problem of blue$g11.$tTime as painter : the ever-changing canvas$g12.$tCapturing color : how art appears in reproduction$g13.$tMind over matter : color as form in Modernism$g14.$tArt for art's sake : new materials, new horizons
*5058 $aHar innholdsfortegnelse, bibliografi, register
*5208 $a"Bright Earth provides a glimpse into a little-explored avenue in the history of art and science: the creation of pigments and dyes and their influence on painting, as well as on fashion, merchandising, and the textile and chemical industries. For as long as artists have turned their dreams into images, they have relied on technical knowledge to supply their materials. Today almost every shade imaginable is easily available in off-the-shelf tubes; every hue and tincture is manufactured and ready for immediate use by the painter. But up until the eighteenth century, most artists ground and mixed their own pigments, and by necessity had considerable skill as a practical chemists."--Jacket.
*599  $a153 kr
*65014$aFargelære$_11318600
*65024$aHistorie$_10005400
*65024$aKunst$_10001500
*65024$aKunsthistorie$_10020300
^